Antonino Saggio I Quaderni
Home address: http://www.arc1.uniroma1.it/saggio/
Talks
Grisignana 2008
Antonino Saggio http://www.arc1.uniroma1.it/saggio/
Deal with the relationship music architecture may signify at least 6 different things
1. structural parallelism in "compositional order" among the two different disciplines. With regard to special convergence in these "digital" days.
2. cultural convergence of music and architecture (and other other disciplines) towards a common ground and sensibility
3. spaces for music created by architecture (churches auditoriums opera hause. The "musts")
4. music that evocates architecture composition
5. experimental multimedia convergence between music & architecture
6. digital convergence of space in the revolutionary idea of Space as Information. Novak and Nitro Saggio
development
1. structural parallelism in "compositional order" among the two different disciplines. With regard to special convergence in these "digital" days. (Key concept Rimixability)
Oggetto/Soggetto
Nuova Oggettività/Nuova Soggettività
Dato/Informazione
Teoria/Modello
Natura/Paesaggio
Zoning/Antizonig
Linearità/Salto
Induttivo/Deduttivo
Schema/Diagramma
Puntiforme/Continuo
Spazio organo/Spazio sistema
Astrazione/Figura
Trasparenza/Interattività
Modularità/Rimixabilità
From Antonino Saggio, Introduzione alla rivoluzione Informatica in Architettura, Carocci, Roma 2007
2. cultural convergence of music and architecture and other other disciplines towards a common ground (coreography in baroque time, absolute space-metric in industrial newtonian space, fragmentation and serialism after second world war)
proportional rules from Music to architecture (alberti for example)
see entire work on research part Music&Architecture >>
Antonino Di Raimo Thesis Music Dance and Architecture Local
Web address http://www.arc1.uniroma1.it/saggio/ DIDATTICA/Tesidilaurea/Diraimo/1.Htm
In particular the greatest revolutionof the creation of "absolute" space and absolute time of the Newton correspond to the creation of the "metric" space of classical Symphony. Within this new structure musical events happens "inside" space "inside" time and not any more as serieuso of self conencting elements. This concept derivise from bandur 2003 p. 22-23
In one way the serialism is an application of Modernist techniques (in fact stockhausen found an analogy with le Corbusier's. Its scope is to avoid rwptition of identical structures in a similar way as individual beings are all different altought they belong to the same species.
((in this way, i will add, serialism is most similar with structuralism in philosophy and antropology and also in Architecture...)
Some concepts applies to serialism that can be applied also to Modulor
3. spaces for music created by architecture churches auditoriums and other form (best example Toyo Ito, but at least Scharoun and Gehry and relationship between space interpretation and architecture)
years ago i assisted to a talk of a porfessor and friend Luciio Barbera who is a greta expert of musci and personal friend of some composer. i remember that lesson that stressed one fact. There is a correspondence betwenne musci and architecture that is not only a cultural correspondance there is also a funztional one. There is a way in whcih music riverberates into architecture! The simplest one to think this is naturally the nadscapes and the regional music.
imagine the long and prolongated echoes of the mountain spaces and those long sounds.
Imagine the syntopactis tarantella and the small choreograpphy urban scenes of Naples
imagines the songs and musci of sailors and so on..
This kind of riverberation is laso applied to the builiding and is what my friend showed.
He showed a Palecristian Church togehter with a specific music of thta time
or a gothic cathedral
or a baroque sunique nave space and so on always accompanygn the Music
v
v
..
...
.
v
see in You Tube "il Motivo dii Sant'ivo" or local >>
One very Known example,
Three examples at least must be know in the relationship of contemporary Architc true and Musci
First is Hans scharoun Auditorium uin Berlin
John Johansenn Mummers Theathre
Frank Gehry Auditorium Los Angeles
Graduation
Thesis/Tesi di Laurea
MARCO GALOFARO Relatore A. Saggio Una Nuova Fenice a Venezia
4. Music that evocates architecture composition Gene Coleman
Gene Coleman
Composer and Artistic Director
Soundfield, NFP
Ensemble N_JP
404 Lincoln Ave.
Collingswood, New Jersey
Mobile: ++1 856-986-1941
soundfield7@gmail.com
http://www.soundfield.org
3 or 21 minutes
AndoLangen 2007
5.
Esperimental multimedia convergence Le Corbusier, Ito, Coop Himmenblau
But As everybody Nows is the Philps PAvillon Of Le corbusier that creates a complex environment
YOu Tube >> reconstruction and documentary local MP4 >
You Tube poeme elettronique original Local MP4 >
The key idea is Multimediality !! The same message bonds form one media to the other to capture the specatator within a new world.
This is an anti-modulor thinking! Because if the modulor is related to as series of porportionally scaled relationships and dimnesione this is anti statc in nature, it is environmental.
from http://www.archidose.org/Apr01/040901b.html
Capirinha production
http://www.caipirinha.com/index1.html
Coop Himmelb(I)au, Vienna
Associated architect
Gebert Liechti Schmid
Landscape architect
Zulauf Seippel Schweingruber
Coop Himmenblau expo svizzero 2002
Towers of power: Bienne's arteplage is the largest of the four and is based around a trio of monumental towers clad in a shimmering lightweight metal mesh skin - Critical Essay
Architectural Review, The
, Sept, 2002 by Catherine Slessor
Lying at the eastern end of the Bieler See, at the point where French-speaking
west Switzerland meets the German-speaking north-east, Bienne is the largest
town involved in Expo and has the largest arteplage.
Occupying a disused industrial lot on the edge of the lake, Bienne's
arteplage explores notions of 'Power and Freedom'. 'Freedom' is loosely
expressed through a deliberately chaotic ensemble of pavilions in the expopark
of varying sizes, forms and materials, interspersed with more sober service
buildings made of timber. Some of the pavilions are exquisitely designed
for mere temporary structures -- 'Strangers in Paradise' by Ingrid Burgdorf
and Barbara Burren (which takes an acerbic look at Swiss cultural stereotypes),
has an immaculate concrete frame enclosed in a translucent skin of polycarbonate
panels.
...
Stefano Passerotti Lorenzo Brusci,Giardino Sonoro_
La Limonaia dell'Imperialino Firenze
http://www.giardinosonoro.com/
another very interesening experience is
ideami.com
he made different installations for
6.
Digital convergence of space in the revolutionary idea of Space as Information. Novak and Nitro Saggio
